car design thread | Page 309 | FerrariChat

car design thread

Discussion in 'Creative Arts' started by jm2, Oct 19, 2012.

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  1. jm2

    jm2 F1 World Champ
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  2. energy88

    energy88 Three Time F1 World Champ
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  4. jm2

    jm2 F1 World Champ
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    The headlamps/taillamps are one of the last areas where creativity & technology & design are all making a statement in vehicle design. There are so many cool headlamps out there now, each company is trying to outdo the other.
     
  5. Boomhauer

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  6. energy88

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  7. jm2

    jm2 F1 World Champ
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    I’m old enough to remember when all we could use was a single round lamp or 2 sizes of rectangular lamps. I once had a lighting engineer tell me composite lamps would NEVER be legal in the US. I’d like to find that Bozo today!
     
  8. jm2

    jm2 F1 World Champ
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  9. NeuroBeaker

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  10. Tcar

    Tcar F1 Rookie

    And I remember when there was only one size of round headlight (in the US). No smaller quad rounds, no rectangular... 'Consumer Reports' wrote a big article against allowing any rectangular lights, and I think lobbied DOT.

    Loved my round Cibie Z-beams... H4.

    Great looking lens. And light pattern.
     
  11. energy88

    energy88 Three Time F1 World Champ
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    In the 1970s, I recall GM starting to put square bezels around headlights to "square" them up before the rectangular ones made it onto the scene.
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  12. jm2

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    #7712 jm2, Jan 30, 2019
    Last edited: Jan 30, 2019
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  13. jm2

    jm2 F1 World Champ
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  14. jm2

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  16. energy88

    energy88 Three Time F1 World Champ
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    ^^^ Not a designer, but windshields are becoming more radically raked. Aerodynamics or styling?
     
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  17. jm2

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    yes & yes
     
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  18. jm2

    jm2 F1 World Champ
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    As a design statement, most designers will tell you that the closed/coupe versions of most cars are usually better looking..........as a design statement.
    Personally I tend to agree with that premise.
    HOWEVER, I have owned convertible/targa versions of all the Ferraris I've had, in spite of the fact that the coupe versions usually looked better. In the case of the 458/488 you have the best of both worlds, Coupe/Convertible.
    There's nothing like having the top down, hearing the exhaust roar, in spite of the fact that the closed version probably looks better.
    Just my personal POV.
     
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  19. crinoid

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    The GT500 would have looked a lot better if they had gotten closer to this look of a levitating angular grill. They didn’t get close enough and it looks like an Audi. The GT350 is way better.
     
  20. Jeff Kennedy

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    Just read that 2,300 at GM took the voluntary work force reduction but about 4,000 are going to get cut next week. How many out of Design? Any notables?
     
  21. jm2

    jm2 F1 World Champ
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    Stay tuned. Many are leaving or about to leave.
     
  22. Jeff Kennedy

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    From what I read it sounds like the 2,300 (overall) have already made their decision to wander down the road. The remaining 4,000 are about to find out, if they haven't already that they are being thrown to the curb.

    At one time GM had the best clay modeler team. Unfortunately that special expertise has taken a significant hit in the past and is likely to be further decimated this time around. Clay modelers can make a good design not so much but the good modelers can bail a designer out (if the designer will listen).
     
  23. jm2

    jm2 F1 World Champ
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    There is going to be a mass exodus of some very talented and experienced people. What once was, is no longer.
    For me, watching all this unfold is like watching a train wreck.
     
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  24. Jeff Kennedy

    Jeff Kennedy F1 Veteran
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    Train wreck? No. This is the intentional squandering of the legacy that made GM. Maybe, someday some B school will do a review of just how "corporate leadership" pissed away Design's future by their own ineptitude. Of course for that study to be useful they would have to reject that an MBA's stack of numerical data means less than the critical eye. That might be a bridge too far for them.
     
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  25. jm2

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    Ferrari Design:
    from Ferrari Magazine
    https://magazine.ferrari.com/en/passion/2019/01/14/news/ferrari-architecture-centro-stile-new-design-centre-maranello-factory-52050/

    Passion, imagination, desire... all these elements inspire Ferrari designers when drawing the world’s most beautiful dream machines. Their task has now been made easier, with the opening of the new ‘Centro Stile’ at Maranello. Inaugurated last September, the new design centre is where the Ferrari cars of tomorrow take shape today. Located on Viale Enzo Ferrari, at the heart of the Ferrari factory, it brings under one – spectacular – roof all Maranello’s design-related activities. Now, the 100-plus designers and automotive engineers – as well as the chassis model workshop, Tailor Made area, and Ateliers – are all together.



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    The Design Centre's bright terrace is the perfect place to view new models in natural light Photo: Fabrizio Giraldi


    The eye-catching building, opposite the Ferrari company canteen, (itself an architectural jewel designed by Marco Visconti), amounts to an avant-garde, four-storey, 5,000 square-metre ‘compact sculpture’. The whole structure is enclosed by a ‘double skin’ mesh whose outer façade consists of over 3,000 triangle-shaped glass and aluminium modules. A giant prancing horse logo decorates the building’s exterior.

    Under the direction of the Ferrari Design team – driven by Head of Design, Flavio Manzoni – the architectural project was designed by Design International of London, led by Davide Padoa, in co-operation with Planning engineering studio of Bologna. The structure’s exterior – evoking the dynamic lines of Ferrari sports cars – is an eye-catching combination of concave and convex surfaces.



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    A 'Piloti Ferrari' 488 Pista, in the new Centro Stile entrance hall, greets visitors and workers alike Photo: Fabrizio Giraldi


    The geometric outer mesh, alternating between glass and stretched anodised aluminium, lends the whole structure a floating feel. The building makes as much use as possible of natural lighting: from the open-space layout of the first floor – where designers and virtual modellers collaborate - to the large conference room on the second floor, which features a full-wall LED. The second floor has a terrace where full-scale models of future cars can be viewed. Secrecy is a necessity, of course, so here is where the building’s outer ‘skin’ comes into play, acting as a shield that lets in light but keeps out prying eyes.

    Particular attention has been given to the Modelleria, where full-scale models are shaped by digitally-controlled milling machines, operated by a team of expert artisans, before undergoing meticulous hand finishing. The Tailor Made and the Atelier permit clients access to a wide range of customisation options. The colour palette offers no less than 20 different hues for the vehicle body alone. In the Ateliers, clients can also choose the style and tints of the wheel rims and brake callipers, accompanying them – for example – with carbon-fibre bodywork features.



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    A Ferrari Monza SP1in the new Tailor Made area, where clients can customise their carsPhoto: Fabrizio Giraldi


    ‘Personal Designers’ guide clients in choosing from various combinations of materials – the finest fabrics, leathers, and woods. All this renders each individual car truly unique. After interpreting a client’s desires, the Personal Designer shows him or her real-time, virtual previews of the finished vehicle. The Tailor Made area also offers a space dedicated to the colour and trim of the seats, where clients can select and match materials: from luxurious cashmere to trendy denim as well as high-tech, innovative carbon fibre.

    With all these personalisation possibilities, clients can obtain a level of exclusivity that is absolutely unprecedented in the automotive sector. And all now much easier – and more pleasant – in the confines of the new Centro Stile, where both Ferrari designers and clients can experience the full passion of the Prancing Horse.

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